On the used gun market the most valuable, discontinued Browning – the Superposed over and unders – are those in 28 gauge. But .410 Superposed over and unders are not far behind in price.
Interestingly, there were more .410s produced in the Superposed than in 28 gauge. Further, the most valuable of the Superposed guns are the higher grades. There were quite a number of different higher grade Superposed over and unders, but we know them best as the Pigeon, the Pointer, the Diana and the Midas – with the Grade I being the lowest priced of these guns. Even the Grade I owned was very nice with its deep-cut engraving. But if you have a 28 or a .410 in Pigeon, Pointer, Diana or Midas Grade you certainly have a shotgun that’s worth plenty.
So I’m wondering if the Citori over and unders, especially those in the higher grades and in the smaller gauges, are destined to increase in value over time. The high-grade Citoris being offered by Browning are currently the Grade IV and the Grade VII. Like the 20, 28 and .410 Superposed, the small gauge Citoris are built on a 20-gauge frame. The Citori I’ve been shooting up a figurative storm with is the .410 Citori Grade VII with 28-inch barrels. More about shooting that gun shortly.
The three small-gauge Grade IVs are intricately engraved – including game scenes of flushing quail on the left side of the receiver, a flushing ruffed grouse on the right. To my eye this engraving is extremely well executed.
The Grade VII is also intricately engraved all around the game scenes – with three flushing grouse in gold on the left of the receiver, three flushing quail in gold on the right. The birds are well rendered, but it’s all the surrounding engraving that really catches my eye.
On the head of a pointer in gold on the bottom of these receivers, that gold head is surrounded by one heck of a lot of very intricate engraving. There’s also intricate engraving on the fore-end iron, the barrel “wings,” the receiver fences, the opening lever, top tang and trigger guard. This isn’t “just” engraving, as it’s very intricate and special, and the workmanship makes me wonder what these guns are going to be worth 60 – 80 years from now.
I realize (and probably so do you) that most of today’s engraving starts out with some type of chemical or etching process, but then that resultant engraving is worked on extensively by hand – by experts. For most of us, the days are over for real hand engraving with no help from acids, chemicals or whatever.
If a master engraver works for four months engraving one gun he is probably going to want about $40,000 – and that’s just for the engraving. The price of the gun itself is not included. So I’m guessing that the only shooter who can afford $40,000 worth of engraving has to make about $400,000 in four months. Along those same lines, if it takes a master engraver a year to make a super fine piece he’s going to want about $100,000 these days. The only folks able to afford that much money certainly have to make two million a year or more. That’s why I say true hand engraving has gone beyond most of us.
However, the engraving on production shotguns these days is sometimes outstanding – at least on some of the shotguns I’ve examined over the last several years. Today’s Grade VII Brownings are engraved so well that anyone examining these guns will be very impressed.
The Citori Grade VII .410 I have been shooting is the Lightning. Of all the various Citori models the Lightning is my favorite. I no doubt favor this model because of the stock’s lines – the semi-open pistol grip and the Lightning-style fore-end – which is rounded on the end.
The name “Lightning” and the style of the stock were stolen from the Superposed Lightning model. Browning was very wise to put this model in the Citori line as the Superposed Lightning was not only one of the best sellers – the Superposed Lightning is also very much sought after in the used market.
With the Grade VII you obviously get a very nice piece of walnut for the stock and fore-end. Further, the checkering is not only perfectly done – it’s tight at 20 lines-to-the-inch. The trigger is gold plated. In all three small gauges the Lightning wears a plastic butt pad so you will never have any gun mounting problems due to a sticky pad. The vent rib sits reasonably high, a good thing for hopefully preventing too much head lifting at trigger-pulling time. That rib is slightly tapered on the small gauge guns – .270 at the breech – .245 at the muzzle. Three screw chokes are included in all three gauges (even the .410): improved cylinder, modified and full. Also, it would be nice if Browning supplied at least one, preferably two, skeet chokes.
Because of the 20-gauge receiver, this Grade VII Lightning .410 is lightweight It weighed in at 7 pounds, 2½ ounces with 28-inch barrels (26-inch barrels are also available).
With my Baker Barrel Reader I measured the top barrel at .411, the bottom at .410. The improved cylinder measured .405, the modified .400 and the full went .395. The fore-end weighed 14.9 ounces and the barrels, 2 pounds 15 ounces.
Using my Shotgun Combo Gauge I measured the length of pull at 14 3/8 inches, the drop at comb 1½ inches, the drop at heel at 2 ¼ inches, and the gun balanced right on the hinge pin.
While serious competition skeet and sporting are great (I know a lot of you don’t shoot competition) just shooting for the fun of it is what I do these days. Accordingly, I have never met a real shooter who did not love shooting the .410. With that gun’s minimal recoil and impressive breaks at short ranges – using the proper chokes – what’s not to love about shooting a .410?
Although all the Lightning model .410s have 3-inch chambers (great for hunting), my clay target fun has been with the 2 ½-inch, ½-ounce rounds. For this shooting the Grade VII is pure joy, plus the 28-inch barrels swing well; and because of the 20-gauge receiver and the gun’s resultant weight of 7 pounds 2½ ounces there’s essentially no recoil at all.
The .410s that are really light, like under 5 pounds or a bit over 5 pounds, have more recoil than with this heavier Browning. Not that the recoil is bad in a 5 ½ pound, .410 shooting 2 ½-inch shells; it’s just that the recoil is even less with this Browning I’ve been having fun with. Another benefit to the heavier .410 is that this Browning .410 swings great compared to a 5 ½ pound .410.
To simulate upland bird flushes – the likes of ruffed grouse, woodcock and quail – I do a lot of this fun practice shooting from a low-gun position on stations six and two on a skeet field. These quartering away targets are often seen in hunting situations. But I also shoot plenty of low seven and low five targets, which also simulate certain upland bird shots.
Despite opinions by some, the .410 can be a good hunting gun as long as the shooter restricts the range. When I hunt with a .410 I go to the 3-inch shells. In addition to close-flushing upland birds, the .410 is also ideal for dove shooting, especially if the birds can be shot within the .410’s comfort zone. To simulate practice for this gunning I like to call for the bird from a low gun position, taking quartering incomers from stations one, two, six and seven, and full crossing shots from stations three, four and five.
Is this Grade VII Citori a shotgun that will gain in value as the decades pass by? There’s no guarantee of that, just the guarantee of one heck of a lot of shooting fun – speculative financial hopes be darned. With a suggested retail $5,109, this .410 is great fun to shoot today and could make for a lasting heirloom.
The shotgun stood upright in a museum-quality case, halogen lamps kindling the mystique of the Prodigal Son.
The Browning Superposed in front of us was a one-of-a-kind called Golden Days. Belgian master engraver Dany Matagne had spent 300 painstaking hours detailing the doves, bobwhite quail and Gamble quail with gold, green gold, copper and palladium - the entire landscape study framed in a floral scroll. If ever there was a rendition of upland heaven, it was here on the receiver of this $80,000 Superposed.