The Shooting, Hunting, Outdoor Trade Show and Conference (SHOT Show) is the largest and most comprehensive trade show for all professionals involved with the shooting sports and hunting industries. You'll find plenty of so-called black guns for the tactical market, state-of-the-art bows, ammunition, a boatload of pistols and just about every conceivable gadget and gear on the planet for the hunting and shooting enthusiast as well as tools of the trade for the police and military.
The SHOT Show is also the best possible place to find shotguns for wing and clays shooting all under one roof. The giants of the industry such as Beretta, Browning, Winchester and Remington set aside sections in their massive exhibits for over/unders, semi-autos and side by sides.
They are accompanied by smaller companies with devoted followings such as Blaser, Fausti, Zoli, Ithaca, Caesar Guerini, Connecticut Shotgun, Benelli, Franchi, Stoeger and others.
The SHOT Show kicks off every year with Media Day. This gives the firearms press the opportunity to shoot just about every type of gun at a range. We flew in a day before the show actually started to participate in Media Day, giving us the opportunity to evaluate some new shotguns and perennial favorites. In a moment, we'll share our impressions with you of a day on the range with these shotguns.
This year's SHOT Show returned to Las Vegas from Orlando, where it was held in 2009. The SHOT Show packed the Sands Expo & Convention Center from January 19th through the 22nd.
The shows' sponsor and owner, the National Shooting Sports Foundation, said that overall attendance reached 58,444, approaching the all-time record of the 2008 Las Vegas Show and approximately 11,000 more than last year's show in Orlando. The 1,804 media professionals in attendance also set a new high. Exhibiting companies numbered 1,633 across some 700,000 net square feet in the convention center's halls and the Venetian Hotel's meeting rooms.
Whether you were on the show floor, the press room or the Media Day shooting ranges, you could hear languages spoken from Europe and Asia. At the Desert Sportsman's Club, a group of reporters in front of me started speaking in German before switching to French when a fellow writer joined them.
The Desert Sportsman's Club in Las Vegas hosted the 2010 New Product Event. Among the gun makers participating, we focused on shotguns provided by Browning and Winchester. About eight stands were lined up with some seven trap machines in what turned out to be a shooting free-for-all.
Winchester's Super X3 Flanigan Exhibition/Sporting semi-auto just begged to be shot. With its candy-apple red receiver and matching forend cap contrasted against the black Dura-Touch Armor Coating, the 12 gauge simply dazzled.
Exhibition shooter Patrick Flanigan has set some speed records with a modified X3 so expectations ran high for performance. The shotgun proved to be fast, but for some inexplicable reason Winchester literally cut corners on the trigger blade. The sharp, perpendicular edges hurt your trigger finger and made the gun unpleasant to shoot. It was a far cry from the Blaser F3 28 gauge we're currently testing, which has perfect ergonomics.
At $1,479, the X3 Flanigan Exhibition is about one-quarter the price of the Blaser F3. Still, there's no excuse to fit a shotgun with a trigger that cuts into your finger.
We also shot Winchester's Super X Pump Black Shadow. The action on this one was very smooth, but once again the trigger edges were angular. In addition to the trigger being painful, it was stiff and heavy – far more so than the prototype Ithaca Model 37 Waterfowl Model we had shot just a few days before on a sea-duck hunt (we'll give you the exclusive story on that shotgun shortly).
After the two Winchester shotguns we moved on to the Brownings.
We tried the Browning Maxus semi-auto. Introduced last year as the world's most reliable shotgun, the two 12-gauge versions we shot both jammed on the second shot. One of them featured the Mossy Oak finish, while the other was black. We certainly would have expected more.
Next, we shot the Browning 12-gauge 625 Citori over/under. It delivered on Browning's reputation for quality and value. The shotgun had low recoil and a good finish. The 625 felt solid, the way Brownings are supposed to, and the gun shot well.
We picked up a .410 version of the 625. It proved to be a stunning clays crusher. Weighing slightly over 7 pounds, it delivered the handling of a bigger bore shotgun with the sheer exhilaration you can only get from a .410.
Our favorite shotgun at the Desert Sportsman's Club, however, turned out to be a 28-gauge Browning Cynergy Classic. From an aesthetics perspective, we always did like the angled lines of the Cynergy receiver where it meets the stock. Plus the Cynergy receiver has a much lower profile than the Citori. Overall, it's a more elegant, modern looking shotgun. This 28-gauge was extremely accurate – allowing us to break the targets and many of the pieces. With a suggested retail price of $3,509, you would be hard-pressed to find a better 28 gauge for the money.
Next stop was the Boulder City Rifle and Pistol Range for Bass Pro Shops' Media Day. Nearly every type of gun was available to the press, but we made a bee line to the shooting ranges of Blaser, Ithaca and Beretta.
Just for kicks, Blaser gave demonstrations of a muzzle loader, which broke targets with authority.
Beretta let us shoot a 12-gauge SV-10 Prevail. This handsome over/under benefits from state-of-the-art innovation that touches everything from the extractors to the hinges to the Kick Off anti-recoil on the butt of the stock. Once we located the point of impact and relaxed into the SV-10 Prevail, the gun proved nimble and easy to shoot, but we were disappointed in that it was difficult to crack open. These guns retail for about $3,000 and we can only assume opening the gun becomes easier over time. Otherwise, it would be a real challenge to buy a more advanced over/under at that price.
Also available to shoot was Beretta's latest semi-auto, the A400 Xplor Unico, 12 gauge with the Kick Off recoil-reduction system. Officially unveiled at the SHOT Show, this gun is distinguished by the Unico chamber, which reliably accepts shells ranging in length from 2 ¾ to 3 ½ inches. The rotating bolt with reinforced lugs is flexible enough to manage the different shells while at the same time reduces time between cleanings and improving cycling time by some 30 percent. Weighing in at a scant 6½ pounds, it's among the lightest semi-auto on the markets.
We found that we had to float the targets over the front bead to break the outgoers thrown from the single trap machine. The Kick Off worked as advertised, especially given the shotgun's bantam weight. The A400 Xplor Unico shouldered fast and handled well. Priced at $1,725, it's about $500 less than Beretta's preceding flagship semi-auto, the 391 Technys Gold Sporting.
We wrapped up our Media Day shooting with the extraordinary Ithaca 12-gauge over/under Phoenix. The last time we shot it, the gun was in the prototype stage and we declared it the softest shooting 12-gauge over/under on the planet. Now several months later, the Phoenix was even tighter. The latest iteration of the gun shot so straight I'm convinced that even a blind folded shooter could crush targets with it. The Phoenix is in the final stages of refinement and we could see the first models come out of the factory this summer. If you're interested, get your deposit in early because the Phoenix is already back-ordered.
Shotgun manufacturers took the opportunity to introduce several new models at the SHOT Show.
Franchi brought out a Renaissance Sport over/under in a 20-gauge. The coin-finished receiver includes ornate scroll work while the oil-finished stock is made of A Grade walnut. The suggested retail price is $2,349.
Winchester introduced the Walnut SX3 20 gauge at a starting price of $1,199. The All-Purpose Field model in 12 gauge is now available with a new Mossy Oak Break-Up Infinity Camo finish for $1,469.
CZ USA, the American arm of the Czech gun maker, brought out a new ultralight 12-gauge over/under called the Upland Ultralight. Its light alloy receiver brings down the weight to 6 pounds – 2 pounds lighter than the steel-frame versions. The new shotgun starts at $749.
Weatherby expanded its SA-08 line with two new models: the Deluxe and Waterfowler. The Deluxe features a high-gloss walnut stock and blued metalwork. It's available in both 12- and 20-gauges models for $739. The Waterfowler has a camo synthetic stock and is only available in 12 gauge. It sells for $699.
We're already looking forward to next year's SHOT Show, to be held at the same venue on January 18-21. Stay tuned.
On the used gun market the most valuable, discontinued Browning – the Superposed over and unders – are those in 28 gauge. But .410 Superposed over and unders are not far behind in price.
Interestingly, there were more .410s produced in the Superposed than in 28 gauge. Further, the most valuable of the Superposed guns are the higher grades. There were quite a number of different higher grade Superposed over and unders, but we know them best as the Pigeon, the Pointer, the Diana and the Midas – with the Grade I being the lowest priced of these guns. Even the Grade I owned was very nice with its deep-cut engraving. But if you have a 28 or a .410 in Pigeon, Pointer, Diana or Midas Grade you certainly have a shotgun that’s worth plenty.
So I’m wondering if the Citori over and unders, especially those in the higher grades and in the smaller gauges, are destined to increase in value over time. The high-grade Citoris being offered by Browning are currently the Grade IV and the Grade VII. Like the 20, 28 and .410 Superposed, the small gauge Citoris are built on a 20-gauge frame. The Citori I’ve been shooting up a figurative storm with is the .410 Citori Grade VII with 28-inch barrels. More about shooting that gun shortly.
The three small-gauge Grade IVs are intricately engraved – including game scenes of flushing quail on the left side of the receiver, a flushing ruffed grouse on the right. To my eye this engraving is extremely well executed.
The Grade VII is also intricately engraved all around the game scenes – with three flushing grouse in gold on the left of the receiver, three flushing quail in gold on the right. The birds are well rendered, but it’s all the surrounding engraving that really catches my eye.
On the head of a pointer in gold on the bottom of these receivers, that gold head is surrounded by one heck of a lot of very intricate engraving. There’s also intricate engraving on the fore-end iron, the barrel “wings,” the receiver fences, the opening lever, top tang and trigger guard. This isn’t “just” engraving, as it’s very intricate and special, and the workmanship makes me wonder what these guns are going to be worth 60 – 80 years from now.
I realize (and probably so do you) that most of today’s engraving starts out with some type of chemical or etching process, but then that resultant engraving is worked on extensively by hand – by experts. For most of us, the days are over for real hand engraving with no help from acids, chemicals or whatever.
If a master engraver works for four months engraving one gun he is probably going to want about $40,000 – and that’s just for the engraving. The price of the gun itself is not included. So I’m guessing that the only shooter who can afford $40,000 worth of engraving has to make about $400,000 in four months. Along those same lines, if it takes a master engraver a year to make a super fine piece he’s going to want about $100,000 these days. The only folks able to afford that much money certainly have to make two million a year or more. That’s why I say true hand engraving has gone beyond most of us.
However, the engraving on production shotguns these days is sometimes outstanding – at least on some of the shotguns I’ve examined over the last several years. Today’s Grade VII Brownings are engraved so well that anyone examining these guns will be very impressed.
The Citori Grade VII .410 I have been shooting is the Lightning. Of all the various Citori models the Lightning is my favorite. I no doubt favor this model because of the stock’s lines – the semi-open pistol grip and the Lightning-style fore-end – which is rounded on the end.
The name “Lightning” and the style of the stock were stolen from the Superposed Lightning model. Browning was very wise to put this model in the Citori line as the Superposed Lightning was not only one of the best sellers – the Superposed Lightning is also very much sought after in the used market.
With the Grade VII you obviously get a very nice piece of walnut for the stock and fore-end. Further, the checkering is not only perfectly done – it’s tight at 20 lines-to-the-inch. The trigger is gold plated. In all three small gauges the Lightning wears a plastic butt pad so you will never have any gun mounting problems due to a sticky pad. The vent rib sits reasonably high, a good thing for hopefully preventing too much head lifting at trigger-pulling time. That rib is slightly tapered on the small gauge guns – .270 at the breech – .245 at the muzzle. Three screw chokes are included in all three gauges (even the .410): improved cylinder, modified and full. Also, it would be nice if Browning supplied at least one, preferably two, skeet chokes.
Because of the 20-gauge receiver, this Grade VII Lightning .410 is lightweight It weighed in at 7 pounds, 2½ ounces with 28-inch barrels (26-inch barrels are also available).
With my Baker Barrel Reader I measured the top barrel at .411, the bottom at .410. The improved cylinder measured .405, the modified .400 and the full went .395. The fore-end weighed 14.9 ounces and the barrels, 2 pounds 15 ounces.
Using my Shotgun Combo Gauge I measured the length of pull at 14 3/8 inches, the drop at comb 1½ inches, the drop at heel at 2 ¼ inches, and the gun balanced right on the hinge pin.
While serious competition skeet and sporting are great (I know a lot of you don’t shoot competition) just shooting for the fun of it is what I do these days. Accordingly, I have never met a real shooter who did not love shooting the .410. With that gun’s minimal recoil and impressive breaks at short ranges – using the proper chokes – what’s not to love about shooting a .410?
Although all the Lightning model .410s have 3-inch chambers (great for hunting), my clay target fun has been with the 2 ½-inch, ½-ounce rounds. For this shooting the Grade VII is pure joy, plus the 28-inch barrels swing well; and because of the 20-gauge receiver and the gun’s resultant weight of 7 pounds 2½ ounces there’s essentially no recoil at all.
The .410s that are really light, like under 5 pounds or a bit over 5 pounds, have more recoil than with this heavier Browning. Not that the recoil is bad in a 5 ½ pound, .410 shooting 2 ½-inch shells; it’s just that the recoil is even less with this Browning I’ve been having fun with. Another benefit to the heavier .410 is that this Browning .410 swings great compared to a 5 ½ pound .410.
To simulate upland bird flushes – the likes of ruffed grouse, woodcock and quail – I do a lot of this fun practice shooting from a low-gun position on stations six and two on a skeet field. These quartering away targets are often seen in hunting situations. But I also shoot plenty of low seven and low five targets, which also simulate certain upland bird shots.
Despite opinions by some, the .410 can be a good hunting gun as long as the shooter restricts the range. When I hunt with a .410 I go to the 3-inch shells. In addition to close-flushing upland birds, the .410 is also ideal for dove shooting, especially if the birds can be shot within the .410’s comfort zone. To simulate practice for this gunning I like to call for the bird from a low gun position, taking quartering incomers from stations one, two, six and seven, and full crossing shots from stations three, four and five.
Is this Grade VII Citori a shotgun that will gain in value as the decades pass by? There’s no guarantee of that, just the guarantee of one heck of a lot of shooting fun – speculative financial hopes be darned. With a suggested retail $5,109, this .410 is great fun to shoot today and could make for a lasting heirloom.
Call me crazy, but when I started shooting the 12-gauge Krieghoff K-80 Pro Sporter the first thing that came to mind was not another shotgun – but a car.
And it wasn’t just any car, but the BMW X6 M sport utility vehicle.
What do the Krieghoff K-80 Pro Sporter and the BMW X6 M SUV have in common?
Essentially, they share an engineering philosophy that combines elements of their best products to create a new paradigm that delivers stunning results.
Once upon a time, the dream of a magnificent plantation called Wingfield bloomed full and flush in the enchanted quail kingdom of South Carolina’s Low Country.
Amid the live oaks and long pines, no more than 60 gentlemen hunters giddy on the stock market bubble would live in grand houses and partake in the sportsmen’s lifestyle entitled to the plantation aristocracy.
Writer Michael McIntosh once said, "Collectors and shooters see guns from different angles..." To that I say, Amen! I happen to be both a collector and a shooter, which creates a whole new set of angles that I won't get into right now. But what I thought I would do in this month’s column is share a couple of my staunch opinions about shotguns. For space reasons, I will limit my comments to hunting shotguns. So, for better or worse, here they are... Don't feel too embarrassed if you disagree with me on one or two.
The most stupid thing ever put on a good double gun is a Selective trigger. Double triggers are a love, and a single trigger is fine by me. But a lever that lets you switch back and forth from one barrel to the other? Please... This is one novelty that I hope goes away.
The best American-made over under for the money is the Ruger Red Label. The best pointing auto-loader ever made is the Remington 1100. And as long as we are at it, the best waterfowl gun is the 3 1/2" chambered Benelli Super Black Eagle II and the Browning Gold Hunter auto loaders. The best waterfowl load? The 3-inch Heavy Shot. It is amazing...! But who wants to pay $3.00 every time you pull the trigger?
The best barrel length for a doublegun is 28 inches. You won't swing it too fast and you won't slow it down or stop the gun too soon. For a young shooter just starting out, I will give the nod to 26-inch barrels to lighten the gun – as long as they can be upgraded to 28-inch barrels as soon as they can handle them. The best gauge for a young shooter? It’s 28 gauge. Not a bad upland gun for any shooter, young or old, except maybe for pheasants. The best load for the 28 gauge is a 2¾-inch shell with ¾ ounce of #7½ shot. Trust me on this! The best chokes for this load in a 28 gauge? Skeet and skeet. It is a dandy quail gun/load combo.
The best fixed chokes for any double gun? If I had to pick two it will come as no surprise that I would choose improved cylinder and modified. If you are shooting steel shot at waterfowl over decoys the best choke is improved cylinder. Steel patterns are very tight. Last year I shot a black duck with an improved cylinder choke at 87 paces with a 3-inch Kent Fasteel cartridge loaded with #2 shot. A great cartridge if you don't mind watching the brass rust while you hold it in your hand.
Pistol grip or straight stock? This falls into the “whatever your preference is” category. You will shoot either equally well if you practice with them. In the end, it just doesn't matter, as long as you can live with it. I shoot both and switch back and forth regularly. I kind of like the lines of the straight stock, but I'm a loyal Yankee and will never let go of the fact that I come from a nation of riflemen.
Now you will hate me, especially if you love the game of skeet. I think American skeet shooting ought to be done with a low gun. No pre-mounting. Further, I think the shooter should not be able to call "pull" when he is ready for the target. This job belongs to the one pulling and he should be able to pull at will. I would really like to see a "new" skeet game start at clubs all across America that I call "walk-up skeet." The shooter moves around the field freely and the puller pulls at random. In the end, 25 birds total have been launched and the shooter never knows from what direction or exactly when. This in my mind, puts back some of the spontaneous excitement back into skeet shooting that most closely resembles flushing birds during upland hunting. Which is the whole reason skeet shooting was invented for in the first place.
Just one more. Is the worst gun law (one of many) in the State of Massachusetts? It’s the trigger lock law. I was guiding some gentlemen from Texas not too long ago and told them we have to have our guns cased and trigger locked while transporting them in our vehicles, and locked up while in our homes. And if they ever get stolen, the police and the DA prosecute the gun owner. Their jaws dropped, their eyes got big, and then they spoke in the manner that makes Texas the great state that it is: "That’s the stupidest thing I've ever heard of. What if you got to get to your gun?" Amen brothers. Don't ever give up your freedoms in Texas like we have here in Massachusetts.
Common wisdom says one thing, Bobby Fowler Jr.’s trophy case says another.
Since he first started shooting competitively in 1993, Fowler has won about 150 titles in sporting clays and FITASC. He’s dominated the sports so thoroughly, that his middle initials should be HOA. Every gauge, on both sides of the Atlantic, in his home state of Texas – no tournament is safe from Fowler’s monumental skills in achieving the highest overall average.
When I left theFBIAcademyafter sixteen weeks of training in 1986, I was covered in the most beautiful shades of purple, green, and yellow from my face to my collarbone, and down my bicep. The shotgun was too long, and my long neck and high cheekbones made it impossible to mount the gun properly to my shoulder while maintaining a proper sight picture (which is critical to defensive shotgun shooting). I lifted my face off the gun while shooting creating a horrible flinch, and all of the bad habits that ensue when shooting an ill-fitted gun followed suit. I was convinced that no one had ever hated a shotgun like I did in my bruised and frustrated condition.
There are no signs on the factory at 420 North Walpole Street in Upper Sandusky, Ohio, but open the old door and the pungent smell of machine oil is your first hint that the Ithaca shotgun is being re-born.
This rambling building that once housed a rolling rink, an automotive center and mold-making operation has been transformed into the backbone of the Ithaca Gun Company. Hard-working American men and women, like so many discarded in the upheaval of globalization, are now devoting their full measure of sweat and muscle to manufacture a new 100-percent American-built over/under shotgun code-named Phoenix.
“It’s nice to think that we could help our brothers and sisters in America by keeping and creating new jobs,” said Ithaca machinist, Tom Troiano.
Every screw, spring and steel billet is sourced from the U.S. as the company brings to life the stunning new 12-gauge Phoenix. From its inception, the Phoenix was designed to honor the proportions and sturdy sensibility of the classical over/under American shotgun.
Shotgun Life recently enjoyed the privilege of spending a full day at Ithaca talking with nearly everyone in the company. We spoke with the men who made the barrels, the receivers and the stocks. We spent time with management. And we were given the unique opportunity to be the first one outside of the company to shoot a prototype of the forthcoming Phoenix.
We can report unequivocally that design breakthroughs engineered into the Phoenix have made it the softest shooting 12-gauge over-under we have ever pulled a trigger on. The felt recoil on the Phoenix is virtually nonexistent – on par with the benchmark Beretta 391 Target Gold 12-gauge semi-auto – kicking only just enough to reset the inertia trigger.
Better yet, with a starting price of about $2,500 and moving to $10,000 depending on the type of engraving and grade of American walnut, the Phoenix could easily mark a renaissance of the big Ithaca shotguns.
That’s why Ithaca named the Phoenix after the dazzling mythical bird which rose from the ashes to fly once again. But leading Ithaca authority, Walt Snyder, author of the definitive books The Ithaca Company From the Beginning and Ithaca Featherlight Repeaters…The Best Gun Going observed that the new Phoenix also has an historical precedence.
In 1945, Ithaca had built a one-of-a-kind 12-gauge, over/under prototype. As the Model 51, it had serial number EX1, for experimental 1. It now appears that the new Phoenix is a direct descendant of that orphaned masterpiece.
Our first glimpse of the new 12-gauge over/under took place in January 2009 at the expansive Shot Show. There in booth 1736, I was drawn to the allure of an elegantly understated over/under that was all chrome-moly black steel and American walnut. The receiver, devoid of engraving, drew me in and I picked up the gun. I mounted it to my shoulder, my immediate impression one of a tight, well-balanced shotgun. Then I moved the top lever to the right and to my astonishment the barrels slowly fell open as though on hydraulics.
This was the shotgun that Walt would see several months later at a dealer event in Wilmington, North Carolina. Ithaca’s Mike Farrell arrived with it and Walt’s initial impression was that “It looked like a very well made gun. It seemed to mount and balance very well.”
At the time of the Shot Show, the gun remained months away from being in shooting condition and it hadn’t been christened the Phoenix. But after returning to the office, I would occasionally call Mike, the company’s number-two guy (no one at Ithaca has a job title), until he agreed to let me visit the company and actually try the shotgun.
For those of you familiar with Ithaca shotguns, it would be easy to dismiss the Phoenix as another heartfelt effort to salvage this fabled American manufacturer established in 1883.
Taking its namesake from the first factory in Ithaca, New York, the company’s fortunes in later years have been a tortured tale of missteps as one management team after another tried to reclaim the glory years that spanned the late 1800s until Pearl Harbor. That was a triumphant epoch when Ithaca manufactured shotguns such as the Flues side-by-side, the Knick trap gun, the 3½-inch Magnum 10 and the Model 37 pump based on a design by John Browning.
Beginning in the late 1960s, the company changed hands several times until it padlocked the doors in1986. The following year a new investor group took the helm until 1996, when entrepreneur Steven Lamboy acquired the assets and rights to make the Ithaca doubles. He turned out some beautiful shotguns in Italy bearing the Ithaca name but fell into bankruptcy in 2003. By 2004, the Federal government attached the company’s bank accounts for back taxes and a bitter lawsuit ensued in New York state between various stakeholders. In 2005, Ithaca’s assets were surrendered and the company liquidated.
That’s when Craig Marshall entered. Owner of MoldCraft in Upper Sandusky, he converted the family mold-making business into a new iteration of Ithaca. During the transition, the Marshalls assembled the flagship Model 37 pumps from existing inventory with every intention of restoring the marque’s luster. Unfortunately, the Marshalls eventually found themselves under-capitalized for the venture to the extent that they were forced to idle the factory for eight months between 2006 and 2007.
Finally, in June 2007 industrial glass magnate David Dlubak acquired the company's assets and Ithaca name from the Marshalls. He started making fresh plant investments in the nondescript Upper Sandusky facility and brought back the team working on the Model 37.
As Dave explained to us in Ithaca’s distinctly blue-collar conference room, “We want to make a high-quality shotgun, at an affordable price, that will fit in the working man’s hands. The gun is going to be that guy’s pride and joy. The old Ithacas lasted fifty or sixty years. Now we make them to tighter tolerances and with better steel. We don’t want cheaper, we want better.”
Like many luminaries in the industry, Dave did not get his start making shotguns. Just as Harris John Holland began as a tobacconist, and Charles Parker a maker of spoons, curtains and locks, Dave comes from a family that owns and operates one of the largest industrial glass recycling businesses in the U.S., Dlubak Glass.
Dave was in the process of finalizing a new product called “bubble glass” that combined concrete and glass in faux log building material. Replete with grains and knots, bubble glass is resistant to fire and insects but soft enough for an ordinary drill bit. He was looking for a mold maker who could package the bubble-glass logs for affordable and dependable shipment.
He went to MoldCraft and met the Marshalls. Dave was presented with an opportunity to invest in Ithaca. Instead, he bought it.
Although a long-time aficionado of Ithaca shotguns, he acquired the company because of “the quality of the people and their ability.” These tool-and-die makers were the “elite of the elite,” he said.
For example, barrel-maker Roger Larrabee has been a tool-and-die machinist for 47 years. He trained Tom Troiano, who turns out the receivers.
“Roger trained a lot of the guys here,” Tom said.
As a self-described “control freak” with a passion for quality, it was paramount for Dave to build a team with the capabilities to “make all the parts here,” he said. “I’m interested in making it all under one roof.”
He characterizes the Ithaca Gun Company as being in “stage two,” meaning that it has resolved the manufacturing issues with its current popular pump guns: the accurate Deerslayer series, the rugged Model 37 Defense, and the sweethearts of the pump-gun community, the 28-gauge Model 37 and the Model 37 Featherlight and Ultralight.
These shotguns showcased the production capabilities of the company. They demonstrated the team’s ability to craft receivers from a billet of steel or aluminum, to do away with soldering or any other heat-inducing joining, and to machine one-piece barrels with integrated rib stanchions that eliminate any potential warpage from the run-of-the-mill rib soldering.
“Ithaca certainly seems to have manufacturing savvy,” Walt said. “I’ve seen their Model 37 and it’s beautiful and I would assume they would be successful with the new over/under.”
These accomplishments came from “spending many midnights sorting these things through,” Dave said. “We’re not in love with wood, we’re in love with steel.”
The company’s passion for steel is clear when you tour the factory floor. As raw Pittsburgh steel goes from the mill-turn lathes to to grinders to finishing machines to polishers there is an almost monastic sense of duty among the people making parts for the shotguns. All the tooling and fixturing was developed in-house. Custom software was written by the youngest guy on the crew for the tightest possible tolerances. The individual components are funneled into an assembly room where one person hand fits everything together into a single shotgun.
After the factory floor I spent time with Aaron Welch, Ithaca’s designer and engineer. Looking over his shoulder in the cramped office, he rotated the solid-block 3D models of the Phoenix on his computer monitor.
There was the Anson-Deeley boxlock action ready to fire 2¾ inch shells.
I discovered that a secret to the low recoil of the Phoenix are the three capsule-shaped pockets machined into the bottom of the receiver. They are designed to distribute the load of shooting, improve longevity of the components and help absorb the spent gasses. Moreover, the slightly greater mass of the receiver and monobloc combine to give the Phoenix a lower felt recoil. The less-restrictive 1.5 degree forcing cone and somewhat heavier burled stock also helped tame excessive kick.
In examining the monobloc, Aaron talked about how the barrels are held to the breech section by a tubular connector, instead of being soldered, to improve reliability. At the business end of the 30-inch barrels, the muzzles are dovetailed together, rather than soldered, to prevent distortion from thermal expansion.
That sense of a hydraulic assist when opening the shotgun comes from cocking rods that push against the hammer springs when you move the top lever.
The top bolting mechanism was borrowed from the old Ithaca Knick. It sits high in the receiver for a stronger grip on the monobloc.
Next I looked at how the rib slides into the stanchions and is mounted with a single screw. Aaron said that interchangeable ribs would be available to provide different points of impact.
In the end, the Phoenix would weigh about eight pounds.
Now it was time to see how all the parts worked together.
Mike grabbed the prototype of the 12-gauge Phoenix. The shotgun was still in-the-white with a couple thousand test rounds through it.
We drove a few minutes to a piece of property on a lake that had once been a quarry. A house overlooking it was under construction. The house belonged to Dave and was being built from bubble glass in cinder-block form factors.
In addition to the house and lake, the property also had a trap machine set up by the previous owners.
Mike handed me the gun and in fact it did feel very well balanced. I practiced mounting it a few times. The straight stock fit quite well. Dan Aubill, the guy in charge of Ithaca’s custom stock program, had told me that it was measured to fit the “average guy” with a 14¼ inch length of pull, zero cast, drop at comb of 1½ inch and drop at heel of 2¼ inch.
Pushing the top lever, the barrels slowly fell open. I loaded in two 1? ounce shells. Mike took up the controller and when I called “pull” two things immediately took me by surprise. The first was the extremely low recoil, the second is how I completely pulverized the targets.
Mike and I went through a couple of boxes of shells, the two of us taking turns pulling targets. The trigger was light and crisp, the beads lined up perfectly and the tapered forend enabled a wide range of control.
I turned out to be the last one who shot the Phoenix that day and when the time came to return it to Mike I thought “I gotta get one of these.”
“Do me a favor, Mrs. Lanier, and shut your left eye,” the instructor said. “My left eye?” “Yes” he replied, “When you see the target clearly, shut your left eye and shoot.” After several misses in a row all I could think was yeah right. Obligingly I did what he asked and wham, the target exploded. “Now, just do the same thing for me again.” Wham, the second target broke. Wow, what do you know, two in a row!
If you’ve ever watched Gil and Vicki Ash on their instructional DVDs, you walk away with the feeling that you really want to spend some time with these earnest Texans. They’re smart, funny and engaging. Well, what we discovered over a 9½ hour workshop with them is that they are exactly the same people in person as they are on your TV screen.
I’ll be the first to admit that I may have been suffering from a mid-life crisis, but ultimately I really wanted to prove that a mainstream semi-auto like the Browning Silver Lightning still had what it takes in our digital era of composite gladiators such as the Maxus and Vinci.
Elizabeth Lanier is taking some well-deserved time off. She invited Shotgun Life Editor, Deborah McKown, to contribute a guest column this month.
SKB is a shotgun company that flies under the radar of most wing and clays shooters, which is regrettable given the enthusiastic impression the GC7 Three-Barrel Set made on the Shotgun Life Peer Review Posse.
I have always said that if God wanted me to shoot an over under, He would have made my eyes that way. Actually, it might have been my Dad who said that first. He was a straight-shooting Yankee and I assure you, both his eyes were side by side his whole life. Dad hunted with one double-gun for his ninety-two years. It was a second-hand, 12 Ga. Tobin that he bought from a market gunner named Lincoln, in Accord, Massachusetts, back in the 1930’s. I still have that old fowling piece, and even gunned ducks with it myself in my early teens. Some day, I am going to have it restored just like new.
Me? I grew up with a 20 Ga. double in my hands. It was my own gun and I got it for Christmas when I was ten years old, back in 1972. I hunted with it until 2009, when I pulled up on a pair of incoming woodies and it failed to fire - for the first time in thirty-seven years. My Dad paid $80 for my little double at F.W. Woolworth’s when I was nearing my tenth birthday. He wrapped it up and put it under the Christmas tree and I had to wait until Christmas morning to open it. The first thing I shot and killed with it was an empty milk carton out behind the house. I started my writing career that day, and have recorded every game bird and animal I have ever taken with that gun. I remember well my first grouse, woodcock, pheasant, quail, black duck, mallard, eider, rabbit and a whole mess of other game I have hunted with that wonderful, little double because I have written it all down through the years.
My side by side fit me like a glove when I was a kid, and it grew into an extension of my body. 28” inch barrels, 14” LOP, and say what you want about a cheap double imported from Brazil, but it closed up tight as a drum. It still does. I was so comfortable with my double that it gave me a lot of confidence growing up. I remember going 21 for 21 on clays thrown from a hand trap in the sand pit, using only the rear barrel. And that meant a lot to a young boy coming of age, especially with all of his friends watching wide-eyed, and then talking it up at school. Word got around that I was a shooter and hunter and that I was a pretty good shot. I walked a little taller in the hallways between classes and kids looked at me a little differently from that day forward.
My double has seen a lot of hard use and is scratched, pitted and worn almost beyond recognition now. But if it could talk, it would tell you about all the places it’s been, including duck blinds on the Massachusetts coast, pheasants in Ohio, grouse, woodcock and snowshoe hare in Maine and New Hampshire, cottontails and beagles in Indiana, deer in New York, and a whole bunch of other places I’ve had the pleasure of carrying it.
I know you will think I am crazy, but I’m going to find a gunsmith that won’t laugh at me when I bring it by. I know it’s a cheap gun, not worth anything to anyone, but I’m going to ask him to rebuild it for me from the ground up. But one thing I am not going to have him change. I want him to leave the scratches and the worn, smooth spots just as they are. And I hope he will understand.
You probably already have some preconceived notions about your dream shotgun, and that is just fine. But sometimes it pays to seek advice from someone who has had literally hundreds of shotguns pass through their hands, had so many different stocks touch their cheek, fondled so many receivers. Lucky for me, I am one of those folks, so hopefully what I’m going to tell you might help with your future purchase.
What is the most important quality to seek in your next shotgun? A beautiful piece of walnut, out of this world engraving, strength to hold up to a million rounds, a stock that fits you perfectly? Or what? To me all these factors are important, as are others, but I think the best quality a shotgun can have is feel. That’s what to look for first.
It’s difficult to describe feel, just as it’s difficult to describe love at first sight. You just know both when you feel either. Once you love how a shotgun feels you are going to thoroughly enjoy it. You are going to have great confidence in it. After that you can always add such luxuries as a custom stock, custom engraving, custom checkering, whatever. But if you don’t start out loving the feel of a shotgun the cards are stacked against you ever shooting that gun all that well.
When it comes to semi-autos I think Beretta attained the feel I’m talking about with the models 303, the 390, and now the many versions of the 391. I don’t think it’s easy to incorporate a good-feeling quality into a semi, but I do believe Beretta has done it. It’s more than balance I’m talking about, but good balance is certainly a big part of having a shotgun feel right. A shotgun with great feel should move almost effortlessly to the target – pitch or feathered. Such a shotgun will probably let you think it actually weighs less than it really does. You should look forward to picking up and fondling such a shotgun every chance you get.
Have you ever picked up a Perazzi? If you have not done so I urge you to do that – do it even if you cannot afford one. There’s something about virtually every Perazzi I pick up that just sings feel. From the initial pick up to the shouldering to the mounting to the swinging, even to the sound of a Perazzi clicking shut – for many it is a love affair at first sight or first feel. This seems to be true no matter the barrel length for this company has a way of matching barrel weights to the receiver, stock and fore-end so that balance and feel are not compromised. To experience feel first hand just pick up and handle a Perazzi intended for field shooting – or one of their sporting clays models.
The English got feel right over 100 years ago – with their side by side shotguns, first with hammer guns, but later with sidelocks and then even boxlocks. Not many of us are going to have the opportunity to pick up, fondle and swing a Purdey or a Boss, but maybe one day you will have a chance to do this with one of the lesser known old English doubles – perhaps an Army & Navy, a Webley Scott (this company made many fine English double guns sold in other names), a Cogswell & Harrison, a Reilly or one from a number of other English makers that don’t bring the prices of a Purdey, a Holland or several others. If you ever get the chance to handle a gun like this you will see what I mean by feel.
Enough about feel – let’s move to fit. Whatever new gun you buy – it probably won’t fit you perfectly. However, this does not mean you have to change the beautiful stock the gun came with – at least hopefully not. Length of pull can be adjusted with a thicker or thinner recoil pad. If the comb is too high you or a stock person can sand away until that portion of the fit is correct, and then minimal refinishing could be all you need to fix the looks of the walnut.
You could also have the stock you buy made into an adjustable comb stock – or it may come with one. These are sort of ugly but not double ugly. You could add self-adhesive Moleskin (available at drugstores) to the comb if the stock is too low – sort of double ugly but serviceable.
The best way to determine gun fit is to have a pattern paper or steel plate to shoot at. The premise should be to shoot over and over – say at least five times – at the same pointing spot on the paper or the steel plate. Is your new gun shooting high, low, left, right or some combination of two of those? No aiming for this work. Just pull the gun up and shoot.
Don’t overlook the recoil pad. Sad to say some recoil pads put on factory shotguns these days are abominable. This is not to say such pads don’t have recoil-absorbing qualities. That’s not what I’m getting at here. A recoil pad should be a significant aid in helping with a perfect gun mount. Too many pads are a significant handicap in allowing the shooter to make a great gun mount. With some pads the consistency is simply too sticky. Those that are cause a lot of gun mounting problems. Another problem is caused by sharp pad edges, especially at the top of the pad. Consider the type of pad that has a plastic insert at the top – a feature that can be a big factor in reducing gun mounting hang ups. Further, rounded edges all around the pad help guard against sharp edges gouging into the shoulder area. The recoil pad is perhaps the most overlooked aspect of new or used shotgun buying. Of course, the buyer can always add the recoil pad of his or her choice after purchase.
For hunting, as opposed to competition shooting, I actually like most shotguns fitted with either a plastic butt plate or simply a checkered butt. These are hunting guns, most of which are shot minimally, as opposed to competition guns which are shot one heck of a lot. With a hunting gun the plastic butt pad or checkered butt stock tends to reduce back-end weight a tad – and certainly facilitates an easy, unobstructed gun mount.
In wrap up I will make one additional shotgun make suggestion for you to consider picking up, shouldering and swinging at the gun shop. This would be the Caesar Guerini, and the company makes many models, those for hunting, skeet, trap and sporting clays. This company goes to special pains to make the guns balance just ahead of the hinge pins or trunnions – and they do this regardless of barrel length. To me all the Guerini over and unders that I have handled have a great feel.
Even though the Krieghoff Essencia took the Silver Award at the 2003 "Gold Medal Concourse d'Elegance of Fine Guns" and won the Shooting Sportsman Award for a contemporary, custom-fitted gun that best typifies the upland hunting ideal, our Peer Review group approached the Krieghoff Essencia with a measure of skepticism.
Everyone seemed to be wondering the same thing…
As I studied our two teenage boys standing in the kitchen not too long ago, I thought they bore a strong family resemblance but they could not possibly be related to me.
I was a very unlikely prospect, but Gary Jackson knew better.
The past President of Blackwater Worldwide and ex-Navy SEAL took one look at me and saw my inner commando. It speaks highly of his perceptive powers, because at the time my legs were ready to completely give out from under me, which is how we met in the first place.
Shooting 100 rounds of sporting clays with the new Caesar Guerini Apex is best summed up by how the gun performed on the last station: I crushed a pair of teals with a single shot.
Even my shooting partners, made up of Blaser F3 and Beretta owners, were impressed with the incredible target-crushing power of the Guerini Apex. Like so many other shooters who appreciate fine shotguns, they heard the advanced buzz over the Guerini Apex but never had the privilege of actually seeing one in action.
These highly coveted shotguns have been in short supply since their introduction at the 2009 Shot Show, held January 15-18 in Orlando, Florida. Recently, shipments of the new Guerini Apex have started trickling into the U.S. from the factory in Brescia, Italy.
I managed to get one of the few Guerini Apex Sporting Models on the sporting clays course thanks to Bart’s Sports World in Glen Burnie, Maryland. The three Bart brothers – Jack, Wayne and Roy – live close to Caesar Guerini’s U.S. headquarters in Cambridge, Maryland. In fact, one morning I called over there Wayne was making his usual rounds on behalf of his customers.
The Guerini Apex is a premium shotgun. It ranks under Guerini’s most expensive Forum in the Caesar Guerini lineup. Although the Guerini Apex is not the top model, it exudes a transcendental vibe unlike any Caesar Guerini I’ve ever shot.
A round of sporting clays with the Guerini Apex delivers an epiphany by defining the benchmark for a $7,500 shotgun. The Guerini Apex makes you feel like every target moves in slow motion and is simply there to be pulverized.
I put the Guerini Apex through its paces at Schrader's Bridgetown Manor, in Henderson, on Maryland’s fabled Eastern Shore. Schrader’s is known locally for its challenging course. The stations are in wooded surroundings, with mottled sunlight and plenty of natural obstacles. Schrader’s rabbit targets seem to be powered by afterburners and bounce like they are cam-shaped. Schrader’s outgoing targets tend to be slower than at other courses, but far more acrobatic and elusive as they seek the trees.
I shot 100 rounds with Roy Bart, Bart’s store manager, Al Koch and three of their shooting buddies. Wednesday mornings at Schrader’s is a weekly ritual for them, followed by lunch at the Batter Up in nearby Ridgely, and then perhaps a second round of sporting clays at Schrader’s.
The Guerini Apex I shot possessed every attribute that sets the gun apart from the other Caesar Guerini shotguns, except that for some odd reason this one had arrived from Italy with standard quality wood uncharacteristic of the figured, hand-rubbed walnut you should expect. So rather than upgrade the wood, it was turned into a demo gun. That said, it displayed a flawless wood-to-metal finish and everything about this particular Guerini Apex was a testament to quality craftsmanship.
The 32-inch over/under barrels and Prince of Wales-style forend all fit into place with no trauma or struggle. The two IC chokes screwed in effortlessly even though the threads had never been touched by oil. I then grabbed four boxes of Estate #8, 1-ounce loads and was ready to shoot.
Since Shotgun Life was the first publication to cover the Guerini Apex prior to its unveiling at the January 2009 Shot Show, it was nice to also be the first to write about actually using the gun.
In my visit to Caesar Guerini prior to the Shot Show, I had spent about two hours with Wes Lang, president of the company. Wes had filled me in about what to expect on the Guerini Apex, but no gun was available for me to handle.
Now, all of that has changed…
Although the Guerini Apex shares the actions, barrels and accessories with other Caesar Guerini shotguns, it benefits from new high-tech applications that we’ll probably see in future enhancements to the Caesar Guerini family.
The Guerini Apex combines laser, EDM (electrical discharge machine) hand engraving and other techniques to yield deep, elaborate patterns on the full sideplates. In the case of the Guerini Apex, the results are a stunning marriage of floral and scroll patterns with gold details on a polished coin finish. The full coverage of the engraving continues beyond the frame to the trigger guard, extended tang and forend hardware.
By using trunnions instead of hinge pins, and a “blind” sideplate mounting, Caesar Guerini receivers are free of the visible screws and hinges that can detract from the engraver’s art. That’s why the Guerini Apex can present a museum-quality sideplate on a shotgun that starts for under $10,000.
The integrity of design also extends to a trigger guard that eliminates screws, as it joins seamlessly with the elongated tang devoid of screws, which dovetails into a skeletal grip cap fastened by two screws. In effect, it’s a minimalist industrial rendition of an old-world, best gun approach.
The continuous ribbon of engraved metal from the trigger guard to grip cap creates an elegant line through the swept-back pistol grip. The stunning cosmetics are more than skin deep. As I discovered, the motif also gives the shooter a smooth, ergonomic grip that enhances the shotgun’s handling.
Caesar Guerini Apex Tale of the Tape
30”, 32”, 34”
7lbs. 14oz. - 8lbs. 4ozs
Coin finish, urethane coated
Hand rubbed oil
26 lines per inch
10mm (.4”) Parallel
Avg. Barrel Weight
30” (3.28lbs), 32” (3.35lbs.), 34” (3.44lbs.) **
.735, Chrome lined
6 MAXIS competition chokes
White Bradley style front, brass center bead
Single selective, adjustable for length of pull
Manual (Automatic as an option)
Stock and trigger wrench, choke case, friction choke wrench.
Plastic and leather hard case with fit interior.Source: Caesar Guerini
Mind you, the feel of the Guerini Apex won’t be mistaken for a round-body FAMARS Excalibur, but I will say that in a blind test the Guerini Apex would probably emerge as the most comfortable shotgun among its peers.
Out on the sporting clays course, one of my immediate reactions to shooting the Guerini Apex was how sturdy it felt. The Caesar Guerini boxlock actions are machined from solid billets of steel and alloys. This process provides both stronger actions and better recoil absorption. That’s one of the reasons why shooting 100 rounds of 1-ounce loads never bothered me.
The inertia trigger group on the Guerini Apex felt crisp enough that it contributed to a more aggressive and confident shooting style. Caesar Guerini’s triggers are designed for reduced friction. Marry that with the inspiring ergonomics of the Guerini Apex and the gun seemed hard-wired to my brain for nailing that critical point of impact in the more difficult presentations at Schrader’s.
One particular station featured a simo-pair consisting of a fast quartering away bird flying straight for the trees, followed by a much slower looper suddenly popping out from a bush about 15 feet in front of me before plunging into tall weeds.
Instinct dictates that you go after the fast quartering away bird, thinking that the slower looper would be the natural second shot. That wasn’t the case. It took a lot of patience and gun control to wait for that looper to finally appear, smash it first, then track the quartering away bird as it transitioned into a low, fast, 20-yard shot.
The new Prince of Wales-style forend on the Guerini Apex gave me the superior control in a shot that demanded a combination of nerve-wracking patience followed by a burst of speed.
Making its debut at Caesar Guerini, the Prince of Wales-style forend replaces the Schnabel forend on other Caesar Guerini models. In comparison to a Schnabel forend, the Prince of Wales-style forend tapers toward the muzzle and eliminates the lip on the leading edge of the forend to create a more organic contour.
Like forends on other Caesar Guerinis, the Guerini Apex features an Anson pushrod forend latch. It appears as a small button on the nose of the forend. It’s recognized for three significant benefits: By eliminating the big external latch used by most other gunmakers, the checkering can wrap completely around the forend for a more secure grip. In addition, it’s self-adjusting over time. Finally, there are fewer working parts to deteriorate.
The payoff of this beautiful forend is a steady left hand in waiting for a slow looper plus the effortless handling in establishing and crushing the second, faster quartering away bird.
As we made our way through the sporting clays course, it became increasingly obvious that the Guerini Apex was an extraordinary shotgun. My squad-mates repeatedly praised some of the more difficult shots I had made with it. But for me, it was a shot made by Al that truly opened my eyes to the gun’s superiority.
We were at a station where rising outgoers were thrown from a hand trap: two reports followed by a simo pair. They were pretty much lay-ups, but for whatever reason Al missed one bird in the simo pair. After we had all shot, Al asked the trapper to throw him another simo. Al totally crushed the birds and I immediately thought, wow, I hadn’t seen Al hit targets that hard all morning. When Al turned around he raised the Guerini Apex in a triumphant thrust. Until that point, I had no idea he was using it for that shot.
What was it about the Guerini Apex that made it feel so special?
I will say that the Guerini Apex I used felt more balanced than the other 12-gauge Caesar Guerinis I’ve shot. It could have been the density of the wood or any combination of factors, but the gun performed as though all the incremental improvements made to the Caesar Guerini family of shotguns had been unified in the Guerini Apex. There’s a sense that the Guerini Apex is the culmination of the entire Caesar Guerini aesthetic and philosophy.
Its perfect center of gravity, clean elegance of the design and that touch of Italian magic gave the Guerini Apex the authority and poise rarely found in a production shotgun for under $10,000.
If you’re interested in a Guerini Apex, the manufacturer’s suggested retail price is $7,550. Standard options include $200 for a left-hand stock and $120 for an English Stock.
You can also consign your Guerini Apex to the company’s new Custom Shop for upgrades such as the D.T.S Kinetic Balancer, custom engraving, bespoke stocks, adjustable recoil pads or anything else a proud new owner could desire.
Irwin Greenstein is Publisher of Shotgun Life. You can contact him at