The first surprise came after I returned home from California.
I had just picked up my new Grip+ stock for my Blaser F16 from Sai Chang in Hayward, California, and I was eager to get the gun back on familiar targets. I am a professional physicist, so I naturally like measurements, instrumentation, and using technology to understand what is really happening. In shooting, that means I do not want to rely only on feel or memory when I am trying to evaluate a change. I want data.
Like many shooters who use technology as part of practice, I mounted my ShotKam expecting to review my shots afterward. I wanted to see what had changed, how the new sight picture looked, and whether the stock felt as good at home as it had during the fitting process.
When I reviewed the videos, something was wrong.
My second shots were missing. Not the targets. The recordings.
Definitions of the Golden Hour include “a period shortly after sunrise and just before sunset when the sun is low in the sky, producing soft, warm, and diffused light.” This source goes on to state that “shadows are longer and less harsh, colors appear richer and more golden or reddish, and the light is more flattering, especially for photography and film.” All of that is true, but there are Golden Hours, and then there are Golden Hours. This was the latter. In all my time outdoors, and all of my wife, Frances’ time as a photographer of my shooting and hunting, there had never been richer colors and softer light than what surrounded us on the Elbert County Gun Club’s sporting clays course near Elberton, Georgia.
The encompassing environment balanced perfectly the beautiful Fausti CLASS shotgun I held. It had a bright-finish receiver with gold game birds, a Prince of Wales grip and slender game-style forend. Frances and I found ourselves at our gun club near Elberton, Georgia with less than a month before a return to a favorite hunting area, the mountains and high-plains of the Eastern Cape of South Africa. In fact, our return to the Eastern Cape, prompted our session on the sporting clays course. It did not take much prompting by “Sports Afield” Editor-in-Chief, Diana Rupp to convince me to both write up an article on an upland bird hunt planned for the Eastern Cape and carry along a shotgun from the storied, Fausti family of Brescia, Italy. Company president Giovanna Fausti graciously agreed to Diana’s suggestion, and shipped me the beautiful, CLASS 12 gauge over/under with 30” barrels currently resting in the crook of my arm.
The author with a Fausti CLASS at Elbert County Gun Club’s sporting clays course.
CLASS over/under shotguns reflect both the quality of manufacturing, and attention to aesthetic detail, for which Fausti is known. The CLASS comes in .410, 28, 20 and 12-gauge chamberings. Having hunted Eastern Cape birds with Stormberg Elangeni Safaris before, I knew that I’d be trying to knock large, tough Guinea Fowls out of the air. On the same hunt, I would pit myself against Grey-wing Partridges that often flushed well before a hunter was close, always moving incredibly fast while using the Eastern Cape’s windy environs to add jukes to their flight paths. I knew both the Guinea Fowl and Grey-wing hunts required a 12-gauges power and reach, at least for this hunter. Giovanna recommended the 30-inch barrel equipped on this shotgun after I described the potential for longer shots, even with, or likely because of, the longer barrels, the CLASS sent my way, handled quickly, proving superb on distant targets on the sporting clays course I went to prepare for the hunt.
The Fausti Class over/under.
When I raised the Fausti CLASS for the first time, I noticed that it settled naturally into my shoulder and supporting hand; it also pointed quickly at whatever object chosen, at whatever angle. A partial explanation for the wonderful fit is that Fausti fashions each action around the particular gauge. The 12-gauge sent to me thus had a more robust gestalt than would a lighter gauge yet at the same time, looked and felt streamlined in its design. This afforded the quick and repeatable shouldering and target acquisition while simultaneously providing a classic elegance and beauty to the shotgun. Put another way, the shotgun looked as good as it handled.
Complementing its beautiful lines were the action’s so-called coin finish with gold inlays of partridges. Likewise, the gold of the CLASS insignia complimented the rich brown of the oil-finished walnut stock. The checkering on forearm and pistol grip again combine beauty, and functionality, promising a good grip for hands sweating from chasing Guinea Fowl and climbing in the Eastern Cape mountains’ thin air in pursuit of Grey-wings.
The Fausti CLASS ready for action.
A feature not immediately apparent when one is examining the shotgun, but one that Fausti, rightly, sees as unique and functionally significant is the Four-lock system that secures the closed CLASS (and all other Fausti over/unders). To quote Fausti, “As the name suggests, the system is based on four holding points: a pair of classic lugs made in the barrel monobloc for a vertical hold and locking of the barrels to the action, to which is added a further pair of lugs contained inside the sides of the action, which guarantees a lateral closure and a mechanical seal in the longitudinal direction between the barrels and the action.”
As always when working with a firearm foreign to me, I worried how it and I would perform in the field. First up was the challenging ‘Red’ course at my shooting club. The positioning of the machines at the particular stand at which we spent most of our time prevented the shooter from seeing the clays until they were well along their fight path. The Modified (upper barrel) and Improved Cylinder (bottom barrel), removable chokes, patterned the shot well enough that I missed no birds.
After warming up with singles, I switched to true pairs. Even this presentation resulted in broken targets, with no escapees. Time-after-time, whether I pushed the buttons controlling the machines, then shouldered the CLASS and fired, or waited for Frances to respond to my call of “Pull,” the birds disintegrated. I am not a shotgunner. I state that with no self-deprecation, or shame. I have been, and will always be, primarily a rifle shooter and hunter. However, after the first time I chased game bird species in Africa, I swore I would never miss that wonderful experience when on the Continent. The sporting clays course results with the CLASS 12-gauge proves that it functions very well for someone like yours truly, and would perform even better in the hands of an accomplished shotgunner.
One last point that may surprise others as much as it did me. The CLASS model is an entry level shotgun from Fausti. With a MSRPs of $3515 (20 and 12-gauges) and $4280 (.410 and 28-gauges), it should fit into the budget of most looking for not only a beautiful firearm that they will be proud to carry, but also a highly-functional and sturdy tool for use on both a clays course and in my pursuit of South African game birds.
Mike Arnold brings decades of experience in hunting and conservation. Through his work in the field and in education, he shows how ethical hunting supports wildlife and sustains wild places. Visit his web site Mike Arnold Outdoors at https://mikearnoldoutdoors.com
When discussing shotgun performance, hunters and shooters often focus on payload weight, choke selection or shot material. However, one factor stands above the rest: pellet pattern.
The traditional standard for evaluating shotgun patterns is the 30-inch circle. While useful, this measurement can sometimes obscure a more important concept, which is the size of the shooter’s effective pattern and the resulting margin of error.
With the new Perazzi MR57, the Italian shotgun maker, which holds 62 Olympic medals, has taken an audacious leap into redefining the competition over/under as a work of art that turns clay targets into fairy dust.
Perazzi has always believed that even the most successful platforms must continue to evolve alongside the sport. As shooting disciplines progress and target presentations become increasingly complex – particularly in sporting clays – the demands placed on both shooter and shotgun continue to change. The MR57 was designed with this evolution in mind.
The prices of sporting guns have risen sharply over the past few years, most recently driven by a mix of higher manufacturing costs, supply chain disruptions and a wave of tariffs.
For wing and clays shooters, the impact is already impossible to ignore. What were once relatively accessible sports are now under financial pressure for both newcomers and longtime participants – even putting some of our cherished American traditions at risk for future generations.
For 2026 in particular, the whiplash originates from tariffs on raw materials used to manufacture sporting guns, components and ammunition; increased oil prices that impact manufacturing and transportation; and inventories being prioritized for conflicts worldwide. For the weekend clay shooter or upland hunter these market dynamics translate into a direct hit on our wallet. And at the bottom of the food chain (the cash register of your local firearms dealer), tariffs alone on the finished product can add anywhere from 10 to 30 percent on the retail price of an over/under, side by side, pump or semi-auto made in Italy, Germany, the UK, Turkey or Japan.
Before the Perazzi MX8 made its public debut at the 1968 Mexico City Olympics, Daniele Perazzi had built a little-known sidelock side-by-side pigeon gun that established the “pre-MX” era for the premier Italian sporting gun maker, and established the standards of quality and artistry that would later become the ultra-premium SCO grade.
Today, these pre-MX sidelock side by sides from the 1960s are highly sought after by collectors. They were produced during a five-year collaboration between the legendary Ivo Fabbri and Daniele Perazzi before Fabbri left Perazzi’s company to start his own groundbreaking sporting gun firm in 1965 that concentrated on pigeon guns of “luxury functional art.”
I had always been a little dismissive of the idea of a custom stock. I say this at the risk of confirming my ignorance, but hear me out: I already had an adjustable stock on my Krieghoff K-80, and I preferred it without any adjustments. Therefore, that contraption was of limited value to me. My LOP (Length of Pull) is 14.5” – which is fairly common. Cast was something to adjust to rather than worry about. Heck, if I had one custom stock made and shot it really well, that would be a slippery slope; I would need to have custom stocks made for all my guns. This is already an expensive hobby, so I thought it better to learn to shoot the gun as it was rather than custom-fitting the stock to me, and perhaps at one point in my shooting development that was not terrible thinking. I was not yet disciplined enough in my mount for a custom fit to make sense.
When it comes to reviving the names of long-gone British gunmakers, entrepreneurs face two choices: the easy way or the Tom Ward way.
The easy way is to buy the rights to an extinct marque and laser-engrave its name on a Turkish sporting gun. Case in point: Webley & Scott, William Powell, E.J. Churchill, Cogswell & Harrison and Holloway & Naughton.
But you’ll discover after spending 40 minutes with Tom that the easy way won’t produce a great sporting gun that also pays tribute to the English legends. It took a few years of experimentation and research, but as Director of the London Gun Company, Tom was able to probe a deep well of resources before resurrecting the U.K’s Frederick Beesley with a stable superb, high-performance over/unders.
First introduced by Longthorne Guns in 28 gauge, the Foxcote over/under pays tribute to Foxcote House, an 18th-century country estate in the village of Ilmington, England noted for the owner’s shooting parties dropping in by helicopter.
Now, the English gunmaker has upped the Foxcote’s firepower by adding a 12 gauge – certainly more apropos of us mere mortals for downing the plump high-flying pheasants of that lovely country manor. The 12 gauge continues the design and shooting principles of the growing Foxcote family.
Major Malet Peyton Phelps was born in 1869 to Lieutenant General Arthur Phelps of Edgbaston, Birmingham. Lieutenant General Arthur Phelps had a distinguished military career, including serving under Lord Ripon.
Malet Peyton Phelps followed in his father’s footsteps and in his own right, had a distinguished military career serving as the Senior Major, the second-most senior officer, in the Sherwood Foresters 1st Battalion in 1911. During the outbreak of World War I, through various reorganizations, the Sherwood Foresters could be found on the Western Front, Malta, and Egypt. Fortunately, Major Malet Peyton Phelps survived the great war and lived until 1951, when he passed away at the age of 82.
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